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according to the futuristic lobster of chance
 
 
 

That yellow flash of a book Dada Art and Anti-art and Hugo Ball in his "futuristic lobster" costume reciting the nonsense sound poem Karawane. Cabaret Voltaire, Zurich. 1916. The sound recording is, of course, utterly ridicules.

 

As a freshman in college, I was goofing off in the college library, running down the isles for no apparent reason, like an attention-deficit dog. Stupid. Then, out of hundreds of books, a yellow flash caught my eye as I ran by. What was that flash? Some instinct made me turn around, walk back, and look at the book. The book was called, Dada: Art and Anti-art. "Cool title," I thought, and author's name was Richter, "even cooler." I found the book like Hands Arp's Dadaist painting, According to the Laws of Chance. It was synchronicity. I picked another Dada book off the shelf and found a picture of Hugo Ball in a futuristic lobster outfit reciting the nonsense poem Karawane, fuckin' A! The German Dadaists blew me away. I put the books back on the shelf and forgot about the picture. Years later, this picture would come back to haunt my performance art DNA.

 
 
video: . high . med . low
 
Dadaism will fuck you up! This is a short clip of Ghosts Before Breakfast released in 1927, two full years before Luis Buñuel's and Salvador Dalí's An Andalusian Dog released in 1929. Hans Richter rocked it, great work! The film starts out with this note: "The Nazis destroyed the sound version of this film as "degenerate art." It shows that even objects revolt against regimentation."
 
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